Juan LunaJuan Luna y Novicio (October 23, 1857 - December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists. His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Felix Resurreccien Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals. Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary. | |||
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Figura femenina Pintura Identificación:: 97698 Vea nuestra galería en Suecia |
Figura femenina 1898(1898) Medium oil on canvas Dimensions 50.5 x 39.5 cm cyf 1898(1898)_ Medium_oil_on_canvas_ Dimensions_50.5_x_39.5_cm_ cyf |
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Wild grass Pintura Identificación:: 97713 Vea nuestra galería en Suecia |
Wild grass oil on cardboard Dimensions 23 x 19.5 cm cyf oil_on_cardboard_ Dimensions_23_x_19.5_cm_ cyf |
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| Artista Previo Próximo Artista | ||||||||||
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| Juan Luna | ||||||||||
| Juan Luna y Novicio (October 23, 1857 - December 7, 1899) was an Ilocano Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists. His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painter Felix Resurreccien Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of the Propaganda Movement, with the fellow Ilustrados toasting to the two painters' good health and citing their win as evidence that Filipinos and Spaniards were equals. Regarded for work done in the manner of the Spanish and French academies of his time, Luna painted literary and historical scenes, some with an underscore of political commentary. | ||||||||||
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